While “Westworld” started off on an incredibly strong note, many (including myself) thought that Season 2 didn’t deliver with the same impact that Season 1 did. Here’s my breakdown of each season’s comparative strengths and weaknesses, and why Season 3 ultimately exceeded my expectations.
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BoJack Horseman, whose final season aired in January 2020, is now known for its legacy as one of the best animated shows of all time (and to me, is one of the best TV shows period). While some may argue whether or not it really is “the best”, one thing is certain: BoJack Horseman is a show that explores the human condition brilliantly. Namely because it does so in a way that brings the hardest truths about humanity to the forefront while injecting a bitingly self-aware sense of humour into it all. It’s a show that never goes down the easy, “tied up in a neat little bow” route, as it is determined to show audiences every nuanced aspect of its tragicomedic nature. Today, I’ll be reflecting on how BoJack Horseman wrapped up its epically thought-provoking show in its final season.
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Doom Patrol, one of the latest TV show additions to the DC Universe, is dark, witty, and surprisingly poignant. If you haven’t heard of it, I wouldn’t be surprised: it wasn’t on my radar either until someone I knew told me to drop everything and watch it immediately.
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While we’ve seen the concept of corrupt law enforcement in countless mediums, a recent example who has done it in a way that mirrors reality uncannily well is the Amazon Prime Original TV series The Boys (2019). Based off the controversial graphic novel of the same name written by Garth Ennis, The Boys in its very concept exemplifies how its superheroes/superhero corporation, called Vought, act as direct metaphors of police officers and the reality of our current law enforcement system. The Boys delves into the nefarious underbelly of capitalism and corporate America, and boy, does it go all in. (Warning: Spoilers ahead!)
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A review of the latest Star Wars-verse television show, “The Mandalorian”, created by Jon Favreau and starring Pedro Pascal.
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