Margaret Atwood is one author whose name every Canadian child will hear about growing up; I am no exception. She is frequently touted in schools, dinner parties and every bookshop you walk into will be sure to have her books in prominent view. Probably best known for her dystopian novel The Handmaid’s Tale, Atwood’s writing has always taken on topics of complexity and import, and The Penelopiad is no different. From the previous Canongate Myth Series novellas, I have read, I had begun to recognise a pattern. They were not, as is their most usual identifiers, simple retellings of Greek…